clothing

Passionate red and golden Thai motifs adorn this saa paper parasol. By Nikom, it makes use of saa paper and is further embellished with bamboo spines and hand-painted with intricate designs. This parasol features designs rooted in the elegance of Thai architecture.

Daeng Thanunchai balances this decorative bamboo bowl with contrasting visual textures. The elegant external pattern of green on a black background illustrates the continual evolution of lacquer work in Northern Thailand. Mosaic eggshell patterns adorn the interior, resulting in a singular acquisition for the home.

Nikom uses 100% cotton and bamboo to craft this dainty parasol, inspired by the local flora and fauna of Thailand. Artisans adorn the parasol with vibrant hand-painted blossoms and leaves in oil paint. The parasol is perfect for casual use or as home decor.

Centrifugal shadows adorn this pot, handcrafted with refined perfection by Daeng Thanunchai. The pot is available in two colors - red or green - and exudes the intriguing beauty of lacquered bamboo.

Lacquerware is not dishwasher safe. If cleaning is needed, simply clean with a damp cloth and never use any type of abrasive cleaner.

Nikom uses saa paper, from the bark of the mulberry tree, and bamboo to craft this dainty parasol in bright tiger-lily orange. Inspired by the local flora and fauna of their native Thailand, artisans adorn the parasol with hand-painted blossoms and butterflies in oil paint. The parasol is perfect for casual use or as home decor.

Jaifah Aksornsri of Thailand creates this beautiful decorative jar that adds a lovely Thai accent to home decor. Hand woven bamboo is used, which is covered in clay and painted in a rich dark green color with a beautiful, trumpeting elephant design on all sides, as well as on the lid. Woven bamboo and cotton rope adorn the exterior in a style that is traditional to Thai rice jars of old. The jar sits on a base of native raintree wood. The name Lanna comes from an ancient region in Northern Thailand that was known as the "Kingdom of a Million Rice Fields."

Jaifah Aksornsri of Thailand creates this beautiful decorative jar that adds a lovely Thai accent to home decor. Hand woven bamboo is used, which is covered in clay and painted in a rich deep green color with ancient Northern Thai lettering on all sides, as well as on the lid. Woven bamboo and cotton rope adorn the exterior in a style that is traditional to Thai rice jars of old. The jar sits on a base of native raintree wood. The name Lanna comes from an ancient region in Northern Thailand that was known as the "Kingdom of a Million Rice Fields."

Jaifah Aksornsri of Thailand creates this beautiful decorative jar that adds a lovely Thai accent to home decor. Hand woven bamboo is used, which is covered in clay and painted in a rich red color with ancient Northern Thai lettering on all sides, as well as on the lid. Woven bamboo and cotton rope adorn the exterior in a style that is traditional to Thai rice jars of old. The jar sits on a base of native raintree wood. The name Lanna comes from an ancient region in Northern Thailand that was known as the "Kingdom of a Million Rice Fields".

Centrifugal shadows adorn this pot, handcrafted with refined perfection by Daeng Thanunchai. Oval in shape, the pot is available in two colors, red or green, and exudes the intriguing beauty of lacquered bamboo. An original accent for a rustic décor. Not watertight.

To complete this piece, coiled bamboo basketry is firstly carved on a lathe into the desired shape. A mixture of lacquer - obtained from the Gluta usitata tree - and ashes of burnt rice paddy husks is then applied to the object. Upon exposure to air, the mixture dries to form a watertight seal that is polished before another coat is applied. This process is repeated until a rigid base is formed, and a final polishing is executed with sandpaper. Then several coats of pure lacquer are painted on the object, with drying periods in between each coat.

The work is partially polished with sandpaper according to a predetermined pattern - generally concentric - and a few coats of different lacquer colors are applied to the surface. Then the object is left to dry for a few days. The process remains identical for each ensuing color, alternating lacquering and polishing sessions until the design is achieved. The final coat is washed with water and polished with powdered fired clay, offering an irresistible sheen.