clothing

Charming and elegant, a delightful Maria doll wearing a red dress and bows in her hair decorates this ceramic plaque from Mexico. Maria Isabel Cruz creates the piece, crafted using the dry rope technique, in which a wax mixture made of magnesium oxide and fat are applied to the outlines of the image or motif prior to glazing. The wax mixture creates a barrier that keeps the different fill colors in the design separate during firing, before burning off to reveal the blackened ceramic beneath.

The charming doll originated in Mexico City when many Otomi and Mazahua people migrated to the capital in the 1970s. Due to their unique traditional clothing, the women became known as "Marias." An educational program was established for them and artist Diego Rivera's daughter, Guadalupe Rivera Marin, encouraged crafting these popular rag dolls as a way to generate income in the 1980s. Artisan women took the idea home to their Mazahua and Otomi towns and the dolls became popular throughout Mexico and abroad.

Blue rhombus motifs adorn the surface of this elegant wall cross, featuring a four-petaled flower in the center. Mexican artisan Pedro Alba crafts the ceramic wall cross featuring a hand-painted design resembling the legendary talavera tradition.

Like four regal crowns, graceful motifs adorn a celestial lilac and white cross centered by blue-green inner cross. Alejandro de Esesarte creates this elegant wall sculpture and paints it by hand with a vintage crackled finish.

Because each piece is individually hand-crafted and painted, size and color could vary slightly.

Artisan Ana Maria Gonzalez's exquisite decoupage on pinewood plaque honors the deep-rooted devotion to Our Lady of Guadalupe in her native Mexico. The fabulous artwork reflects the miraculous event of her appearance on Saint Juan Diego's robe as he carried roses on Tepeyac Hill, symbolizing her as Our Lady of the Roses and Our Lady of Tepeyac.

Celebrate the cherished figure of Our Lady of Guadalupe with Mexican artisan Ana Maria Gonzalez's stunning decoupage on a pinewood plaque. This decorative accent draws on the miraculous moment when her image appeared on Saint Juan Diego's robe on Tepeyac Hill as he carried roses, earning her the titles Our Lady of the Roses and Our Lady of Tepeyac.

Adorn your home with this colorful Mexican wall art. The sun and moon are a traditional theme in Mexican artwork, and artisans Maria and Esteban depict that theme beautifully in this pair of ceramic pieces. The sun and moon are hand-painted in bright shades such as cyan, tangerine, and orchid. Each piece has a face with a village scene painted onto it.

Highly revered and beloved by the Mexican people, the Virgin of Guadalupe inspires Ana Maria Gonzalez to create a collection of decoupage crosses in her honor. In 1999, Pope John Paul II named Our Lady of Guadalupe patron saint of the Americas, and she is celebrated on December 12. Her well-known image miraculously appeared on the Saint Juan Diego's robe, where he was carrying Castilian roses as proof of her appearance to him. Guadalupe sent him to the Spanish bishop to convince him to a build a church in her honor. In this cross, Guadalupe is welcomed into Heaven by God and His angels.

Highly revered and beloved by the Mexican people, the Virgin of Guadalupe inspires Ana Maria Gonzalez to create a collection of decoupage crosses in her honor. In 1999, Pope John Paul II named Our Lady of Guadalupe patron saint of the Americas, and she is celebrated on December 12. Her well-known image miraculously appeared on the Saint Juan Diego's robe, where he was carrying Castilian roses as proof of her appearance to him. Guadalupe sent him to the Spanish bishop to convince him to a build a church in her honor. For this cross, Gonzalez selects the banner that proclaims her as Reina de Mexico y Emperatriz de las Americas, (Queen of Mexico and Empress of the Americas).

This charming wall cross from the Contreras Family is made of ceramic and painted by hand in the time-honored majolica style. The cross features a dainty folk art Maria doll in colorful costume against a background of emerald green.

The charming doll originated in Mexico City when many Otomi and Mazahua people migrated to the capital in the 1970s. Due to their unique traditional clothing, the women became known as "Marias." An educational program was established for them and artist Diego Rivera's daughter, Guadalupe Rivera Marin, encouraged crafting these popular rag dolls as a way to generate income in the 1980s. Artisan women took the idea home to their Mazahua and Otomi towns and the dolls became popular throughout Mexico and abroad.

Inspired by Mexico's traditional Maria dolls, Maria Isabel Cruz creates this ceramic wall plaque. It depicts a lovely doll, realized in a variety of colors against a red background. The artisan works in the centuries-old tradition known as the dry rope technique, in which a wax mixture made of magnesium oxide and fat are applied to the outlines of the image or motif prior to glazing. The wax mixture creates a barrier that keeps the different fill colors in the design separate during firing, before burning off to reveal the blackened ceramic beneath. A length of nylon cord on the back provides for easy hanging.

The charming doll originated in Mexico City when many Otomi and Mazahua people migrated to the capital in the 1970s. Due to their unique traditional clothing, the women became known as "Marias." An educational program was established for them and artist Diego Rivera's daughter, Guadalupe Rivera Marin, encouraged crafting these popular rag dolls as a way to generate income in the 1980s. Artisan women took the idea home to their Mazahua and Otomi towns and the dolls became popular throughout Mexico and abroad.

Silhouetted against the sky, sparrows perch on bare winter branches. J. Blas depicts the birds in an iron sculpture for the wall. It is designed with four knobs to hang sweaters, caps or keys.