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Madero paints a surreal scene representing the protective power of a village's patron saint. He shows the saint as a large figure dressed in a colorful robe that towers over the village's homes against a fantastical night sky.

The Mexican artist is a self-taught painter. His work draws inspiration from literature, music, and his own dreams.

With a kindly but weathered face, Don Quixote de la Mancha comes to life in a beautiful cedar wood sculpture. He reads aloud to his sidekick, Sancho Panza, who takes notes on a leather scroll. Nicolas Chavez Sojuel masterfully depicts the beloved characters from Miguel de Cervantes' 17th century novel, sculpting the idealistic knight and his friend from fragrant cedar wood. Leather knapsacks hang from a trunk and rest on the ground beside the men, and Quixote wears tiny pinewood beads on his clothing.

The two feathers, two branches and the hanging leather bag are removed for shipping.

The sculpted bust of a jaguar warrior unearthed in Texcoco inspires artisans from the Angel Cerón Artisan Association in the creation of this sculpture. Ancient Aztecs believed the jaguar to be associated with the god of night, and to become a jaguar one had to capture at least four enemies. Jaguar warriors, or ocelopilli, were used to capture enemies to be sacrificed to the gods. They would wear jaguar fur and claws for they believed the items would make them stronger and braver. They fought with wooden swords studded with obsidian.

Guatemalan artisan Nicolas Chavez Sojuel designs a sculpture to depict a Mayan midwife standing atop a base, carving it by hand of cedar wood. Small details, such as the decorations on her clothing, the jewelry she wears, and her elaborate headdress are realized with a keen eye. In ancient Mayan society, Mayan noblewomen and midwives often wore decorative headdresses in order to accommodate enlarged craniums due to body alteration practices.

Wearing only a belt, necklace, and bracelets, this Mayan goddess is realized with striking detail in cedar wood. Nicolas Chavez Sojuel explores Guatemala's Mayan roots, working with local artisans to hand-carve this sculpture. According to Sojuel, this sculpture reflects the story of the God of Maize's resurrection. According to the story, there exist nude goddesses in the Mayan underworld, Xibalbá, who tend to the god and dress him in preparation for his resurrection. One of these goddesses is portrayed in this sculpture.