girl gifts

Ornate repoussé covers the forehead and smooth cheeks of an adolescent girl, beautifully depicted in a sese wood mask. Perched on the head, a bird reaches a slender beak to caress the girl's nose. Designed by Evelyn Kafui Ahianyo, it is named Onuma, Akan for "Bird." A gift presented to Akan women in eastern Ghana during a girl's puberty rites, it affirms the suitor's commitment during courtship. "Apart from its decorative purposes, this piece gives the possessor an assurance of a blissful courtship leading to marriage," the artisan affirms.

With a face like the full moon, this beautiful mask depicts an Akuaba, an Akan word for the child of Akua, a girl born on Wednesday. The term also signifies a doll. Walter Kuma carves the symmetrical features, bright eyes and full lips. "I want people to believe in whatever they do and hope for success in the future," he says.

The mask is displayed on an iron stand.

Rita Addo Zakour demonstrates her creative skills with this delightful African mask. Covered by symmetrical motifs, the face represents a woman, and arises from the artisan's own imagination. She names the piece Obenewaa, a popular girl's name among Ghana's Akan people.

Ghanaian artisan Abdul Aziz Mohamadu creates this stunning mask using local rubberwood. He carves the wood by hand into his own design, before painting and polishing it over the course of two to three weeks. Stunning textured brass repoussé metalwork adorns the cheeks and forehead of the elongated face. Intricate copper wire work accentuates the brows, the nose, and the area around the nose and mouth of the mask. The artisan names the bold wall decor zodwa, which is a Zulu word that translates to "only girls."

Her features are elegant and serene, her hairdo ornate. This mask is worn during rituals in Sierra Leone. Bundu, sometimes known as Sande, is the name of the powerful female society of the Mende people, one of the two largest ethnic groups in modern day Sierra Leone. In preparation for marriage and motherhood, young girls starting puberty were separated from their families and brought to a compound to be taught the manners and customs they would need as adults. The Bundu mask was to be worn by an adult woman who taught them. Sinclair Yao Daley skillfully sculpts this exquisite mask from sese wood and finishes its sleek surface with natural cola nut dye.

Hibiscus wood reveals the smooth features of a young woman. Caressed by floral tendrils, the girl's determination and optimism are evident. Bali's Eka presents the lovely image carved from hibiscus wood. This wood varies widely in its tones and patterns, thus each mask is an absolutely unique work of art.