long scarf

A world of traditional parang motifs decorates the body of this silk wrap scarf, featuring a design by Yuni Kristina. Historically reserved for Javanese royalty, the beauty of parang is available in tones of indigo and chartreuse. Yuni decorates the scarf with the batik method, using hand-carved wood blocks to stamp the motifs in a wax resist before applying the colorful dyes. Long, delicate fringes complete the scarf at each end.

A world of traditional Javanese truntum motifs decorates this silk scarf. Yuni Kristina uses the batik method and dyes it in chartreuse and denim blue, drawing the designs with a wax resist before applying the colors. This feminine accessory makes a trendy companion for all occasions.

"Truntum" has a meaning of love that grows and bonds together. Usually a Javanese bride's parent's use these motifs with the hope their newly-married children will be happily blessed with love that will grow each day.

Majestic and regal, this silk scarf from Bali wraps the wearer with elegance, marked by hues of chartreuse and indigo. Yuni Kristina designs the scarf in the batik style, using wood blocks to hand-stamp a wax resist before applying the colorful dyes. Delicate fringe work completes this accessory.

Crafted in bright yellow, K. Baka's colorful scarf is one accessory you'll want to wear all winter long. On 100% cotton fabric, the artisan uses batik dyeing methods to create a baby elephant motif in yellow, brown, and blue. A row of fringe on either end adds a playful element.

Golden yellow stool thrones alternate with black and white squares and stripes in this bold cotton kente scarf. Ghana's Gobah Tengey-Seddoh Family selects the Fiazikpui pattern for a scarf of three fabric strips.

The Fiazikpui motif is created primarily on the weft, or horizontal threads of the loom. The design, which means, "Seat of a King," originated in the 14th century to honor one of the head chiefs or kings of what is now Ghana.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern.

Golden yellow stool thrones alternate with black and white squares and stripes in this bold cotton kente scarf. Ghana's Gobah Tengey-Seddoh Family selects the Fiazikpui pattern for a scarf of two fabric strips.

The "Fiazikpui" motif is created primarily on the weft, or horizontal threads of the loom. The design, which means, "Seat of a King," originated in the 14th century to honor one of the head chiefs or kings of what is now Ghana.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern.

Golden yellow stool thrones alternate with black and white squares and stripes in this bold cotton kente scarf. Ghana's Gobah Tengey-Seddoh Family selects the Fiazikpui pattern for a scarf of one single fabric strip.

The "Fiazikpui" motif is created primarily on the weft, or horizontal threads of the loom. The design, which means, "Seat of a King," originated in the 14th century to honor one of the head chiefs or kings of what is now Ghana.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern.

Shimmering strands of yellow rayon are skillfully worked across green and black threads in this superlative kente cloth scarf. An extremely intricate double weave, its pattern is created primarily on the weft, or horizontal threads of the loom. Great care must be taken so that the blocks of color have same size and match one another when the woven strips are joined. A special stick is used to measure the cloth on the loom so Gobah Tengey-Seddoh names this design Atikpui (measure).

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft patterns, where the warp design is hardly visible, can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Dry clean only.

Golden highlights add a regal touch to this superlative textile by the Gobah-Tengey family. Created in rich kente cloth strips, its name means "Conference in Angola." Takpekpe was designed in 1950 by the late Atsu Gobah Tengey-Seddoh to commemorate a special meeting called by the colonial governor to discuss an additional tax or levy being imposed on the subjects. The conference raised voices against the payment of the special levy.

Expert weavers, the Gobah Tengey-Seddoh Family creates this outstanding shawl in 100% cotton. Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft (horizontal thread) patterns where the warp design is hardly visible can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Hand wash in cool water and use a warm iron.