painted decor

Balinese artisan Made Tresna's hand-carved hibiscus wood wall mask showcases a mesmerizing female face adorned with lively motifs painted by hand, bringing a burst of color and vitality to your space. Complete with an agel grass cord and iron hook for effortless hanging, this decorative accent is sure to become the focal point of any room, adding a touch of artisanal elegance to your decor.

Made Tresna hand-carves an outstanding creation drawing inspiration from Bali's culture. This hibiscus wood mask features a fierce manly face enhanced with hand-painted red, black and yellow motifs.

Celebrating the royalty of Indonesia, Nyoman Indrawati Subrata of the Subrata Family creates this depiction of a Balinese woman. Carved from suar wood, she wears an ornate headdress that is painted by hand with white frangipani flowers and gold-tone accents. This wall sculpture is named Tapel Kraton, meaning "royal woman" in Balinese.

The artisan carries on the extraordinary art work of her late father, Nyoman Subrata.

Barong is a mythical guardian from Bali, usually depicted in traditional dances of the region. This wood mask brought by Nyoman Sedayatana features the guardian embellished with traditional motifs. Every detail is hand-painted, adding metallic tones that enhance the design.

Bright colors and golden accents bring life to this hand-carved and painted mask by Bali's Nyoman Indrawati Subrata of the Subrata Family. Believed to be king of the spirits, Barong is a panther-like creature that figures prominently in Balinese legend. He is the leader of the hosts of good, and enemy of Rangda, the demon queen. The battle between Barong and Rangda is featured in the Barong dance and represents the eternal battle between good and evil.

Graceful in emerald and gold, this woman wears the unique headdress of the Janger dance. Nyoman Indrawati Subrata of the Subrata Family carves the magnificent mask from crocodile wood, and paints it with vivid detail as she shares one of Bali's dance traditions. The artisan carries on the extraordinary art work of her late father, Nyoman Subrata.

The Janger became popular in the 1920s, as it allows young men and women to dance together. Twelve females sit together, swaying and singing sweetly, while a corresponding number of men execute the aggressive kecak chants and movements of the dance. Eventually, the individuals stand and perform creative routines, the men generally taking on clownish roles while the women present more provocative choreographies.

Features a hook for hanging