scarf and shawl

Fit for royalty, this traditional shawl combines mulberry and white to create geometric patterns. Ghana's Akoma of West Africa creates this fringed shawl, which is woven by hand to form four strips of kente fabric that are sewn together. This shawl's width allows it to double as a scarf.

In colors of kelly green, maize, and charcoal, zigzags, geometric patterns, and small stripes decorate this Ghanaian shawl. Akoma of West Africa presents this scarf, which is handwoven from a rayon and cotton blend to create three strips of kente fabric that are sewn together.

Woven by hand, this exceptional kente cloth scarf features colorful rectangles on a brown background. Alternating squares show a fishnet pattern giving the scarf its name – Do, or "Net" in the Ewe language. By the Gobah Tengey-Seddoh Family, each strip requires considerable effort, and the looms are worked with both hands and feet. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events or proverbs.

Combining shades of pale gray and black, Gobah Tengey-Seddoh creates an outstanding example of kente cloth art. Gray derives its symbolism from ash, used for healing and cleansing rituals. Black represents physical aging and the spiritual maturity it brings. Each strip requires considerable effort, and the looms are worked with both hands and feet. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events or proverbs.

Combining shades of pale gray and black, Gobah Tengey-Seddoh creates an outstanding example of kente cloth art. Gray derives its symbolism from ash, used for healing and cleansing rituals. Black represents physical aging and the spiritual maturity it brings. Each strip requires considerable effort, and the looms are worked with both hands and feet. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events or proverbs.

Originated by the Akan peoples of Ghana, colorful kente cloth is the best-known of all African textiles. Kente is woven by hand in strips, which is how it came by its name (kente means "basket" in the Ashanti dialect). Ghana's Rachel Armah creates this colorful cotton blend scarf in cheerful shades of blue, pink and cream. The scarf's width allows it to double as a shawl.

In kente cloth, each color has a symbolic meaning: black symbolizes maturation and intensified spiritual energy; blue signifies peacefulness, harmony and love; green symbolizes vegetation, planting, harvesting, growth, and spiritual renewal; gold represents royalty, wealth, high status, glory, and spiritual purity; grey is for healing and cleansing rituals; maroon signifies the color of mother earth, associated with healing; pink and purple are associated with the female essence and female aspects of life; red symbolizes political and spiritual moods, bloodshed, sacrificial rites and death; silver is associated with the moon and represents serenity, purity, and joy; white is for purification, sanctification rites and festive occasions; and yellow represents preciousness, royalty, wealth, fertility, and beauty.

The intricate texture in this handsome kente cloth shawl is inspired by beach pebbles. Designed by a fisherman around 1898, its name means "pebbles of the shore are hard to crack." The tiny blocks of pattern represent the thoughts of that ancestral craftsman. Handcrafted by the Gobah Tengey-Seddoh Family, this extraordinary double weave textile is one of the most difficult patterns to achieve. These expert weavers use traditional looms and a cotton blend.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft (horizontal thread) patterns, where the warp design is hardly visible, can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Woven by hand, traditional West African kente cloth becomes a colorful scarf. Rachel Armah presents a traditional design known as Edwene Si Edwene So. The phrase means "double wisdom as special as gold" in the Akan language. Each strip of kente cloth requires considerable effort, and the looms are worked with both hands and feet. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging and spirituality, and white is purity.

Combining shades of lime green and black, Gobah Tengey-Seddoh creates an outstanding example of kente cloth art. Gray derives its symbolism from ash, used for healing and cleansing rituals. Black represents physical aging and the spiritual maturity it brings. Each strip requires considerable effort, and the looms are worked with both hands and feet. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events or proverbs.

Cotton yarns add rich texture to this brilliant kente cloth shawl by the Gobah Tengey-Seddoh Family. Strips of black, white and blue make a dramatic and handsome color combination. Designed and woven of coarse local cotton in the 12th century, the lokpo pattern means "heavy or thick in texture."

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. However patterns with nearly all weft (horizontal thread) patterns where the warp design is hardly visible can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Woven by hand, traditional West African kente cloth becomes a colorful scarf. Rachel Armah presents a traditional design known as Fatia fata Nkrumah. The phrase means "Fatia deserves Nkrumah" in the Akan language. Dr. Kwame Nkrumah was Ghana's first president and Fatia was his wife, thus this motif is named for the First Lady.

Each strip of kente cloth requires considerable effort, and the looms are worked with both hands and feet. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging and spirituality, and white is purity.

Ghana's Rachel Armah celebrates the African tradition of kente cloth, weaving this textile by hand on the traditional loom. Crafted of cotton and rayon blend fibers, it features four colorful strips of cloth that are sewn together, serving as an excellent shawl.