As with any work of art, direct sunlight will fade colors over time, especially for tapestries with natural dyes. We recommend hanging your tapestry in an area that avoids direct sun exposure to maintain vibrancy. To clean your woven tapestry, use a vacuum with an upholstery attachment or dry clean if necessary. Spot treatment can also be used with a gentle fabric cleaner, but we recommend testing it on a small area first. Alternatively, you may hand wash your tapestry using cold water, then hang it to dry in the shade. Some tapestries made from cotton fabric may be machine washed on cold.
When it comes to handcrafted traditional tapestries, the most common materials include wool, cotton, silk, and natural dyes. Certain regions incorporate unique materials or designs into their tapestries. In the Andes, alpaca fiber is commonly used. In India, one finds batik printed cotton. In Mexico and Central America sheep wool and natural cotton threads are frequently used. In Thailand, rich silk material is a feature of handmade tapestries.
To craft an eco-friendly tapestry, traditional artisans hold themselves to high standards, both in terms of materials and processes. Natural fibers, textiles, and dyes are derived from plants and trees. Some artisans even incorporate recycled or upcycled materials in their commitment to eco-friendly processes. Traditional art forms that are passed down through the generations are often painstakingly made by hand. They are naturally eco-friendly, as they avoid mass production, factory runoff, and industrial waste. This also means that each tapestry is uniquetruly one of a kind.
When it comes to tapestries, function meets style! A handmade tapestry can be a great way to brighten up any living space while providing insulation against the cold. Materials like alpaca and sheep wool create natural warmth by trapping cool air inside the cloth, creating a more stable temperature within the room.
While factory-produced tapestries are increasingly available to consumers, traditional, authentic tapestries are handmade by artisans who often learn the artform from older generations. Skilled makers from the Andes, India, Mexico and Thailand make use of foot-treadle or backstrap looms, where they interweave warp and weft threads and then tamp them down into a tight stitch. An artisan may finish a handmade tapestry by using a needle and thread or a sewing machine for final touches.
Traditional tapestries depict scenes and images which are drawn from the lives and natural environments of the artisans who craft them. Some include geometric designs, like the mandala, which is thought to represent wholeness and symmetry. Others make use of paisley, floral, or leafy patterns, particularly in tapestries from India. Central American tapestries may incorporate geometric motifs, animals, and people, while Mexican tapestries are often colorful with Greca patterns and designs. Thai artisans use symbols that are popular within Thai culture, religious characters, animal scenes, or depictions of human forms. Unique tapestries from the Andes are often vibrant with elaborate scenes that incorporate folklore, village life, and pastoral existence.
The methods for making tapestries vary as widely as the regions from which they come. Because many traditional artisans adopt the methods of their ancestors, they have kept those ancient artforms alive and well. In the Andes, weavers often work on a wooden treadle loom in which they use foot pedals, called treadles, to control the weave of the tapestry. In Central America, the treadle loom and the backstrap loom are both integral to tapestry art. The backstrap loom is one of the oldest techniques which dates back thousands of years, in which one part of the loom is attached to the weaver and the other part is attached to a fixed object (historically, a tree). To create vibrant color, artisans embroider and dye their tapestries with natural plants and pigments. Around the world, weavers use tie-dye, Dabu (the application of wax or gum clay and resin to the cloth to create a diffuse color effect), Batik (an ancient method in which dye-resistant wax is applied to cloth to create select patterns of color), hand embroidery, and patchwork to create unique and diverse tapestry art.
The tapestry is an ancient textile art form that dates back thousands of years to early civilizations in Peru, Egypt, and Thailand. In Peru, skilled weavers used colorful camelid fiber threads to create beautiful tapestries for ritualistic funeral mantles. Ancient Incas wove short tunics (Unku) to show importance and social status. Ancient Egyptians crafted shroud-like tapestries to bury their dead. Tapestries gained international prominence when Europeans began to decorate their castles and churches with elaborate textiles that depicted historical scenes, as well as religious messages. Today, skilled artisans preserve the ancient techniques of their ancestors. In Thailand, for example, silk weavers are renowned for techniques that have been used since the rule of the Angkor kings circa 800 A.D. In Central America, contemporary weavers pay homage to early Mayan artisans who used plants, shells, and even snails to color their first tapestries in the 15th century. In India, where some of the first tapestries were made and the textile industry became the base of their economy, the skills of generations past still live on in modern artisans.
I was thrilled to receive my wall hanging. This tapestry
is BEAUTIFUL and the colors just pop. GREAT
PURCHASE and I will treasure this forever.
Rochelle K.
NJ
February 9, 2019
Eliazar Ochoa is one of half a dozen Peruvian artisans whose page I try to check every month or so for new work; I had a rug and another tapestry by him already. I love depictions of animals. especially when they are animals you don't commonly see depicted as with llamas and rheas, two distinctly South American animals (my other tapestry from him is all condors). And while purple is my favorite color, I do like orange as well, and I saw there was a bit of purple in this.
This tapestry currently occupies pride of place, on the door to my office. Which means that at close range, I've realized the faces of the cats are kind of creepy. But I'm not really sure how you could do better on a loom, and I have also seen much worse cat faces! As I look at them more, I think I definitely prefer : | to a badly done : 3 (the most popular simplified cat face), and it makes a lot more sense on a loom as well!
The color, the texture, the pattern, the beauty! It is art. You can just feel it. Love this!
I found a perfect tree branch to use as a rod and will be hanging it in my studio.
Like many other residents of Ayacucho, Zosimo Laura and his family were forced to abandon their homeland due to turmoil and violence.
Zosimo Laura was born in the department of Ayacucho, the capital of Peruvian handicrafts, on April 4, 1964. He comes from a respected family of... read more
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The Spring Catalog
Discover our unique collection of beautiful, handmade objects from around the world, inspired by more than a century of exploration.